In 1734, a Black Portuguese-born woman, known by the name Marie-Joseph Angélique was publicly executed in Montréal, Canada. Her ‘crime’? Setting a fire that injured no one, but destroyed a lot of white capital. The supposed reason [for Angélique herself denied setting the fire until a confession after extreme torture] : to distract the townfolks while she ran away. Why did she need to run? Well, Angélique was a slave! That’s right, slavery was a practiced and protected institution here in Canada.
Now what does that have to do with contemporary nursing practice?
My Masters of Science in Nursing thesis work explores the connection between Angélique’s story, as a history of resistance, and contemporary Canadian nursing practice. I used the arts-based methodology of a/r/tography to generate ‘openings’ — emotional, unsettling, ruptures, cuts, tears — into the moral fabric of the benevolent nurse. A/r/tography involves the researcher engaging in an artistic practice. Between January 2022 and May 2022, I developed a 12 minute long drag-burlesque piece entitled ‘Nurse Angélique’. On May 11, 2022, I had an unethical performance [as in, I did not get ethics for this performance, and thus it is not captured within my publishable research as a scholar] during Canada’s National Nursing week. You can watch a promotional trailer for that performance below:
If you want to learn more about Angélique, please read the work of historian Afua Cooper. If you are interested in seeing the performance (live or a recording), please contact me.
Still from the May 11, 2022 performance by Ray McEachern (they/them)